Come True is a theatrical experiment exploring the tension between being on stage and being in the audience. What is real and what is already scenic? What is illusory, and what is real? The core content of the show is based on the observations of the French philosopher Guy Debord. Modern people are more likely to watch than experience events. The spectacle is not a shadow of reality, but rather, reality seems to be a shadow of the spectacle. What will remain if there is nothing to see?